{"id":13555,"date":"2022-07-08T10:27:16","date_gmt":"2022-07-08T08:27:16","guid":{"rendered":"https:\/\/srab.brussels\/?post_type=product&#038;p=13555"},"modified":"2022-07-08T10:27:16","modified_gmt":"2022-07-08T08:27:16","slug":"tome-68-2007","status":"publish","type":"product","link":"https:\/\/srab.brussels\/index.php\/produit\/tome-68-2007\/","title":{"rendered":"Tome 68 &#8211; 2007"},"content":{"rendered":"<p><strong>Annales de la Soci\u00e9t\u00e9 royale d\u2019Arch\u00e9ologie de Bruxelles\u00a0 \u2013 tome 68 \u2013 2007<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Madeleine LE BON, <em>Heurs et malheurs d&#8217;un patrimoine d&#8217;art\u00a0: l&#8217;\u00e9glise de l&#8217;abbaye de Valduc<\/em>, p.\u00a011-34<\/li>\n<li>Claire DICKSTEIN-BERNARD, <em>La construction de l&#8217;Aula Magna au palais du Coudenberg. Histoire du chantier (1452-1461?)<\/em>, p.\u00a035-64<\/li>\n<li>Pierre P. BONENFANT, Michel FOURNY, <em>La derni\u00e8re fen\u00eatre sculpt\u00e9e de l&#8217;ancienne chapelle de Charles Quint \u00e0 Bruxelles<\/em>, p.\u00a065-112<\/li>\n<li>Didier MARTENS, <em>En marge de deux r\u00e9cents catalogues : peintures flamandes en qu\u00eate d&#8217;auteur au Palais des Beaux-Arts de Lille<\/em>, p.\u00a0113-168<\/li>\n<li>Corinne VAN HAUWERMEIREN, <em>L&#8217;apport de la restauration \u00e0 la connaissance d&#8217;une \u0153uvre\u00a0: le cas de la Lamentation de Witthem<\/em>, p.\u00a0169-204<\/li>\n<li>Ga\u00eblle HEBBELINCK, <em>Les s\u00e9jours de Marie de M\u00e9dicis et de Gaston d&#8217;Orl\u00e9ans \u00e0 Bruxelles et dans les Pays-Bas espagnols (1631-1638)<\/em>, p.\u00a0205-264<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Annales de la Soci\u00e9t\u00e9 royale d\u2019Arch\u00e9ologie de Bruxelles\u00a0 \u2013 tome 68 \u2013 2007 &nbsp; Madeleine LE BON, Heurs et malheurs d&#8217;un patrimoine d&#8217;art\u00a0: l&#8217;\u00e9glise de l&#8217;abbaye de Valduc, p.\u00a011-34 Claire DICKSTEIN-BERNARD, La construction de l&#8217;Aula Magna au palais du Coudenberg. Histoire du chantier (1452-1461?), p.\u00a035-64 Pierre P. BONENFANT, Michel FOURNY, La derni\u00e8re fen\u00eatre sculpt\u00e9e de [&#8230;]<\/p>\n","protected":false},"featured_media":13541,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[84,86],"product_tag":[],"class_list":{"0":"post-13555","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-asrab","7":"product_cat-publications","9":"first","10":"instock","11":"taxable","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/product\/13555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/comments?post=13555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/media\/13541"}],"wp:attachment":[{"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/media?parent=13555"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/product_brand?post=13555"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/product_cat?post=13555"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/srab.brussels\/index.php\/wp-json\/wp\/v2\/product_tag?post=13555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}